Mass media ethics and the classical liberal ideal of the autonomous individual are historically linked and professionally dominant–yet the authors of this work feel this is intrinsically flawed. They show how recent research in philosophy and social science–together with a longer tradition in theological inquiry–insist that community, mutuality, and relationship are fundamental to a full concept of personhood. The authors argue that “persons-in-community” provides a more defensible grounding for journalists’ professional moral decision-making in crucial areas such as truthtelling, privacy, organizational culture, and balanced coverage. With numerous examples drawn from life as well as from theory, this book will interest journalists, editors, and professionals in media management as well as students and scholars of media ethics, reporting, and media law.
Public dissatisfaction with the news media frequently gives rise to calls for journalists to live up to the ethical standards of their profession. But what if the fault lies in part with the standards themselves?Jeremy Iggers argues that journalism’s institutionalized conversation about ethics largely evades the most important issues regarding the public interest and the civic responsibilities of the press. Changes in the ownership and organization of the news media make these issues especially timely; although journalism’s ethics rest on the idea of journalism as a profession, the rise of market-driven journalism has undermined journalists’ professional status.Ultimately, argues Iggers, journalism is impossible without a public that cares about the common life. A more meaningful approach to journalism ethics must begin […]
The New Left and the 1960s is the third volume of Herbert Marcuse’s collected papers. In 1964, Marcuse published a major study of advanced industrial society, One Dimensional Man, which was an important influence on the young radicals who formed the New Left. Marcuse embodied many of the defining political impulses of the New Left in his thought and politics – hence a younger generation of political activists looked up to him for theoretical and political guidance. The material collected in this volume provides a rich and deep grasp of the era and the role of Marcuse in the theoretical and political dramas of the day. This volume contains articles, letters, talks, and interviews including: “On the New Left,” a […]
Herbert Marcuse makes a compelling case for moving art and aesthetics to the forefront of critical theory. Only art, Marcuse contends, continues to function as an appropriately balanced social conscience – reminding us not only of lofty purposes beyond ourselves,but of our own need for pleasure and delight. In art Marcuse still finds a freedom he feels is too often missing from other forms of human experience. Aesthetics, he concludes, is the only form of expression that can take up where religion and philosophy fail, and serve as a last refuge of two-dimensional criticism in a one-dimensional society. Marcuse tells us hopefully, we may yet be able to find, in art, a refiguration of humanity’s lost harmony with the universe […]
Originally published in 1964, One-Dimensional Man quickly became one of the most important texts in the ensuing decade of radical political change. This second edition, newly introduced by Marcuse scholar Douglas Kellner, presents Marcuse’s best-selling work to another generation of readers in the context of contemporary events.
Herbert Marcuse’s Negations is both a radical critique of capitalist modernity and a model of materialist dialectical thinking. In a series of essays, originally written in the period stretching from the 1930s to ۱۹۶۰s, Marcuse takes up the presupposed categories that have, and continue to, ground thought and action in our administered society: liberalism, industrialism, individualism, hedonism, aggression. This book is both a testament to a great thinker and a still vital strand of thought in the comprehension and critique of the modern organized world. It is essential reading for younger scholars and a radical reminder for those steeped in the tradition of a critical theory of society. With a brilliance of conception combined with an insistence on the material […]
The Frankfurt School philosopher Herbert Marcuse (1898–۱۹۷۹) studied with Martin Heidegger at Freiburg University from 1928 to 1932 and completed a dissertation on Hegel’s theory of historicity under Heidegger’s supervision. During these years, Marcuse wrote a number of provocative philosophical essays experimenting with the possibilities of Heideggerian Marxism. For a time he believed that Heidegger’s ideas could revitalize Marxism, providing a dimension of experiential concreteness that was sorely lacking in the German Idealist tradition. Ultimately, two events deterred Marcuse from completing this program: the 1932 publication of Marx’s early economic and philosophical manuscripts, and Heidegger’s conversion to Nazism a year later. Heideggerian Marxism offers rich and fascinating testimony concerning the first attempt to fuse Marxism and existentialism. These essays offer invaluable […]
The role of art in Marcuse’s work has often been neglected, misinterpreted or underplayed. His critics accused him of a religion of art and aesthetics that leads to an escape from politics and society. Yet, as this volume demonstrates, Marcuse analyzes culture and art in the context of how it produces forces of domination and resistance in society, and his writings on culture and art generate the possibility of liberation and radical social transformation. The material in this volume is a rich collection of many of Marcuse’s published and unpublished writings, interviews and talks, including ‘Lyric Poetry after Auschwitz’, reflections on Proust, and Letters on Surrealism; a poem by Samuel Beckett for Marcuse’s eightieth birthday with exchange of letters; and […]